W. T. J Mitchell’s The Photographic Essay: Four Case Studies is a really descriptive short essay that defines what constitutes a photographic essay and what constituents go along with it. Mitchell’s thesis provinces that since picture taking is a linguistic communication and text is a linguistic communication the two demand to be combined so the perceiver will hold a better opportunity in happening the true “story” . hence the “photographic essay” . He uses clear illustrations of ways in which different photographic essays are constructed and the positive and negatives that go with them. The constituents are: Spy and Counter-spy ; Labyrinth and Thread ; Voyeurism and Exorcism ; Exile and Return. Mitchell’s first caption is “Spy and Counter-spy” . A great illustration in specifying what this means is “judging a book by its cover” . When one looks at a exposure without text there is a good opportunity that the perceiver will do premises and those premises may be incorrect. Without text it is as if a individual is descrying into a person’s house and doing a narrative of how they live without holding the “true story” .
Descrying is merely an observation. but without facts behind the spy many false accusals can and will be made. Mitchell’s 2nd caption is “Labyrinth and Thread” . Mitchell doesn’t believe that exposures need to be in consecutive order they can be in a “maze” but Mitchell is really inexorable that if the exposures are non in order they must hold words to weave them together. Mitchell’s 3rd caption is “Voyeurism and Exorcism” . Voyeurism is many times defined as a “peeping tom” . The chief feature of a Peeping Tom is a individual who spies but does non associate straight to that of which they are detecting. In this instance in footings of picture taking and text Mitchell’s concern is that the text and the image do non associate. Mitchell uses dispossession in hopes people will acquire to the root of the exposure and draw out and factually compose the truth. In Mitchell’s 4th caption “Exile and Return” . he clearly states on page 362 “Exile is a series of exposure without text. ” What Mitchell is stating in footings of picture taking is that expatriate is written work from an outsider’s point of position on a exposure or exposure. Mitchell prefers to see essays and exposures be from the same position.
This mean that the exposure and the text demand to state the same narrative. They need to be from the same position. hence the “return” from “exile” . Mitchell’s essay ( although really difficult to understand in many ways ) is really clear about one thing. a photographic essay is non a novel. words or narrative. A photographic essay is the usage of words and exposures that both contain linguistic communication and the hope is that together they can build the truth. His captions are his manner of utilizing illustrations of what to watch for to do certain the truth is revealed. Mitchell focuses a batch on seeing past the first “impression” of a exposure and/or text. He leads one to believe that he truly wants the “whole story” or “whole truth” to be revealed in both text and exposure and that it is genuinely unjust to do a judgement. positive or negative about the topic without such.